The Widdershins

Beauty Is Truth, Truth Beauty: Open Thread

Posted by: madamab on: May 21, 2009

My mother was a ballet dancer. Even though I had neither the talent, nor the desire, nor the high arches necessary for ballet, my mom taught me to appreciate the art of the dance, whether it be ballet, jazz or hip-hop.

The beauty of art is timeless and cannot be destroyed, for it is of the soul, the energy of the universe: and its echoes remain long after the artist is gone.

Nothing that comes from truth and beauty is ever lost. And once you have experienced it, no one can take it from you. 

This is an open thread.

The Art of the Dance

The Art of the Dance

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65 Responses to "Beauty Is Truth, Truth Beauty: Open Thread"

I know what yo0u mean. When I first became a Wiccan, my friend Pixie told me how to move a pendelum. She gave it to me and said, “just tell it to move and it will.”
I did so, and the pendulum started swinging like crazy. It was the first magick I had ever done, and my heart felt lighter than it ever had. I will never forget that moment. It was, up until that point, the most beautiful in my life.

Oh, that’s lovely, LittleIsis!

On a lighter note…I used to think if I only tried hard enough I could clean my room by using only the power of my teh awesome brain. Like Mary Poppins! Alas, I must have been missing some key ingredient…perhaps a spoonful of sugar would have helped? ;-)

By the way, I am a Virgo with Scorpio rising and a Libra moon. It’s weird, because I’m super-honest but can keep a secret. :-)

that makes sense Madamab. You are very Virgoish :p
Star signs tend to dictate about eighty percent of a person’s personality. But for some, women especially, the moon sign tends to be more accurate when it comes to a person’s emotional nature.

This is from my favorite movie in the entire universe, moulin rouge (LOVE THIS SONG):

There is beauty everyday in life. But we have to take the time to look for it and really see it. That beauty lasts a lifetime because you always have the memory.
Watch a little child show excitement at something new in their life. Watch an elderly couple walk together. We all have some beauty in us and when we share we all gain.
Read the words of the posts and the comments that people from all over and many different life styles and experiences post here.
Look and really see nature. Look and really see people.
I guess the best way to go through life is to look, feel and enjoy something everyday. And remember to laugh.

WOMEN WITH INTELLIGENCE AND EXPERIENCE,MEN WHO SUPPORT THEM AND COUNTRY BEFORE PARTY ALWAYS

PUMAS,BUBBAS,EQUALISTS AND THOSE PEOPLE RULE

Wow, LI, you may have done the impossible and convinced me to rent Moulin Rouge. That was really beautiful! And I’ll bet my hubby will like it, because he has a huge crush on Nicole Kidman.
:-)

Ah, helenk, my fellow Virgo! You always have something wonderful to say.

I wanted to step back a little bit from the contemplation of our earthly woes. Things are really bad right now, but you never know what may happen to turn things around…and we all have beauty and truth in our lives that we need to let back in sometimes.

Oh my Goddess madamab, you HAVE to watch it!!! IT IS AMAZING AND THE BEST MOVIE EVVVEEEEERRRR!
I especially love it’s theme line: “the greatest thing you’ll ever learn, is to love and be loved in return”
The cinemetagraphy is amazing. Really flashy, which is how I like it.

Beauty is in the eye of the beholder and the soul of the artist.

And the picture of the ballerina on your Front Page is exquisite!

LOL LI! I will now!

Pat Johnson – isn’t she gorge? :-) This is why one of my favorite TV shows is “So You Think You Can Dance.” What these kids can do with their bodies – it’s just incredible!

Okay, here is one of my favorite pieces: “Signore, ascolta” from Puccini’s Turandot, sung by the opulent-voiced Barbara Frittoli. Don’t bother with the tenor aria afterwards – he’s not even in the same universe.

LI
I am also a virgo but with an aries rising.
One of my favorite songs is this one. I have posted it before but I just love it.

Yes I loved Moulin Rouge I am old enough to have seen both the original and the remake. When I was a teenager one of my favorite songs was theme from Moulin Rouge

WOMEN WITH EXPERIENCE AND INTELLIGENCE, MEN WHO SUPPORT THEM AND COUNTY BEFORE PARTY ALWAYS

PUMAS,BUBBAS,EQUALISTS AND THOSE PEOPLE RULE

I must have been at Starbucks when the talent portion was handed out. Can’t sing, dance, paint,write, create, juggle or flip pancakes very well.

But I envy those who can do some of those things and appreciate the efforts made to bring them to perfection.

oooohhhh… oprah!

SORRY
I do not know why it will not show
But the video is John Denver singing Perhaps Love.

anywho, I am off to bed. night everyone!

I’m a Leo! Don’t know what it means except that my birthday is in August.

As far as beauty: the sound I consider most beautiful of all is the sound of the singing human voice. It’s one of the reasons I love opera so much. Unlike in pop music, in opera (when you see it live) the voice comes at you unaltered and unfiltered. (I don’t accept amplification in opera houses.) It comes to you in all its glory – or horror! If pop singers (and Broadway) can assault you with the sheer volume of the amplification, real opera singers have to reach you over a live orchestra all on their own, and the great ones can draw you in until you can hardly breath! You don’t even need to have the natural decibels of someone like Birgit Nilsson. I loooove Cecilia Bartoli, for example. Her voice is small, but her powers of communication, sincerity, commitment, and sheer beauty of voice make me swoon. Sometimes her singing can literally make me cry.

Pat – you are a very talented writer, so there must have been a short line at Starbucks that day. :-)

I didn’t realize Moulin Rouge was a remake! Jeez, where have I been?!

Helen, let’s see if this one works..

madamab> Frittoli used to be a great singer! Too bad she pushed herself too far and has ruined her voice at this point. Isn’t the tenor Sergei Larin? He was fabulous, though perhaps not as Calaf. Like Frittoli he pushed himself too far. Alas, he passed away a couple of years ago.

madamab: Thanks, but if I had any “real talent” would I be sitting here watching the Red Sox and about to crawl into bed with my book at 11pm? No, I would be out at the Hamptons, gazing at the tidal formations, drink in hand, while my latest “protege”, Franco from Tuscany, nibbles on my earlobes.

Thanks, 3W and helen. This is just the music to lull me to sleep. XXOO

Yes to both questions, DYB. I’m not sure I ever heard Larin sound good, but Frittoli’s voice was peerless in that production. I wish she hadn’t lost it.

HelenK – My best friend and I used to sing “Perhaps Love” together, practicing for her wedding. This was before she met the guy she would eventually marry, of course…she just wanted to make sure I was prepared to sing when the momentous occasion arrived. :-)

Thanks for the beautiful music, guys. Off to bed to finish “A City of Thieves” which is remarkable!

And then there’s language! I remember when I read Michael Ondaatje’s “The English Patient” it took me ages to get through it because I kept re-reading entire pages – they were so gorgeous. Here’s a brief excerpt; Katharine writes this in her diary when she is dying alone in the cave:

“My darling, I’m waiting for you — how long is a day in the dark, or a week? The fire is gone now, and I’m horribly cold. I really ought to drag myself outside but then there would be the sun. . . I’m afraid I waste the light on the paintings and on writing these words. We die, we die rich with lovers and tribes, tastes we have swallowed, bodies we have entered and swum up like rivers, fears we have hidden in, like this wretched cave. We are the real countries, not the boundaries drawn on maps with the names of powerful men. I know you will come and carry me out into the palace of winds. That’s all I’ve wanted — to walk in such a place with you, with friends, on earth without maps.”

Pat J – Well, I have a Greek husband named Nick. Does that make me talented, or just lucky?
;-)

hey everyone! just got back from the new terminator movie. It sucked pretty bad. Love all the music :)

madamab> Larin was my favorite Dimitry The Pretender in “Boris Godunov.”

madamab: Satiated!

Well madamab, your recommendation to read “Chalice and Blade” has sent me into the weeds of human pre-history. Two more books arrived from Amazon today. You will be getting the bill. shortly. :>)

Night Pat! I’m going to be heading out soon too.

I agree, DYB, language is amazing too. Obviously the book was better than the movie! Sadly, I am in Pat’s camp. Two and a half hours of pretty, self-absorbed people engaging in a high cheekbone contest! Could I have BEEN any more bored?! It was so bad, I actually got angry.

You know it, Pat!

DYB – I will have to check that out!

Hee, SHV! I’m so glad you took the plunge. It really is fascinating stuff, isn’t it?! I just realized that I must have loaned my copy out and never gotten it back. So, it’s off to Amazon for me as well!

Just popping in for a quick “hi” and “bye” — Pat J — “wit” is talent — and one of the best ones to have, imo.

Good night all!

DYB: With a diary entry like that she deserved to be alone in that cave! Go ahead, I give you permission to hate me.

And gary, with your intelligence, “The Terminator”? And it sucked? Really? Who’d of thought?

three Wickets

Thank you. That has been one of my favorite songs for years

I don’t know if there is a video of it but the theme song from the first Moulin Rouge was called Where is your heart. It was recorded by Percy Faith and his orchestra. It is a beautiful song.

WOMEN WITH INTELLIGENCE AND EXPERIENCE,MEN WHO SUPPORT THEM AND COUNTRY BEFORE PARTY ALWAYS

PUMAS,BUBBA,EQUALISTS AND THOSE PEOPLE RULE

Okay, more “The English Patient” bashing! I’m going to bed.

Oh, and hey Gary! I’m sorry to hear that Terminator sucked. I heard it was good, but then again, the guy who recommended it also is looking forward to “G.I. Joe, The Movie.”

madamab> Larin recorded The Pretender with Abbado on Sony. He sang it at the Met twice (with Gergiev in 1997, then with Bychkov in 2004).

Sorry DYB! Just had to give Pat a little support, although she hardly needs my help.

Good night to all you lovely people! New play coming soon…hopefully tomorrow.

I always enjoy opera more than I expect when I see it live. I’m with DYB on English Patient. That passage though works for me with Kristin Scott Thomas in the film, but not just as words. I probably wouldn’t have liked the book. Different strokes I guess..

helen:

“Whenever we kiss, I worry and wonder,
Your lips may be near, but where is your heart?”

I can remember those lyrics but where the hell did I leave my sunglasses?

Hee, SHV! I’m so glad you took the plunge. It really is fascinating stuff, isn’t it?! I just realized that I must have loaned my copy out and never gotten it back. So, it’s off to Amazon for me as well!
*************
If you have an i-pod/phone, down-load the book, Riane Eisler does the narration; I enjoy listening to her.

Pat
We remember the important stuff. Beautiful music and words are important.
By the way in your comments in an earlier post you talked about your son.
You did a beautiful job raising a wonderful person. You have to be pretty talented to do that.

WOMEN WITH INTELLIGENCE AND EXPERIENCE,MEN WHO SUPPORT THEM AND COUNTRY BEFORE PARTY ALWAYS

PUMAS,BUBBAS EQUALISTS AND THOSE PEOPLE RULE

Guess I won’t go see Terminator. Don’t know why Christian Bale insists on doing these crappy blockbusters. He’s a great actor. Amazing in the Machinist.

hey, I’m a sucker for a big action pic, and the first half was pretty good, but anytime you’re dealing with time travel you have to make sure things stay consistent or it just falls apart. Lazy writers is what I think it is. They spend all the budget on the action but then skimp on the story part. btw they showed the trailer for Bruno, the sequel to Borat, and it looks insane.

3w, I liked him in that movie too.

I also liked Moulin Rouge. Topsy Turvy is another good one, kinda similar.

3 Wickets> Give the book a try; I think it’s extraordinary. Of course, in context of the theme of the book (and the movie to a lesser degree) what she writes makes sense as a final will and testament. The movie concentrates on the love triangle, and Hanna taking care of the Patient. The book is much bigger; Kip, the Indian skipper, plays a much bigger role. In the movie he’s only there as Hanna’s love-interest. In the novel we get to see his background and future. In fact, he’s the only character whom Ondaatje follows beyond WWII. The novel is also a sequel to “In The Skin of a Lion.” In that book we meet Hanna as a little girl, as well as Caravaggio. In the film Minghella made Hanna and Caravaggio strangers; in the novel Caravaggio was a close friend of Hanna’s step-father, so they go way back. Her step-father was a pilot in the war and was shot down. He died alone in the woods, badly burned. That’s the reason Hanna was so attentive to the burned English patient. She was thinking of her step-father’s lonely and painful death. Interestingly, in the shooting script Minghella created a new character to explain Hanna’s care for the patient. We meet her fiance (the one we find out is dead in the opening scenes of the film.) He and Hanna made plans to spend the day together when he was suddenly called away to the front. Hanna asks the English Patient – who she was already taking care of at some “resort” – if they can use his room to spend their last few hours together. He agrees. So while they’re making love in the bedroom Almaszy sings “Yes, we have no bananas today” in the other room to give them some privacy. Then the fiance goes off and is killed. So in the movie when Hanna tells Caravaggio “I’m in love with ghosts” that line has much more poignancy if we knew about the last hours she spent with her fiance, with Almaszy in the next room. I think cutting that scene out of the film was a mistake!

Well, the after hours news dump is coming out…I guess there is too much crap to wait for Friday.

WASHINGTON (CNN) –The Senate late Thursday easily passed a $91 billion spending bill for the wars in Iraq and Afghanistan. After stripping it of funds to close the military prison at Guantanamo Bay, Cuba, and placing restrictions on the transfer of its detainees, the bill was adopted 86 to 3.

The Senate included an amendment to prevent the public release of photographs that reportedly document the mistreatment of post-Sept. 11 detainees in U.S. custody.
************
NEW YORK (CNNMoney.com) — The Obama administration announced Thursday that it has invested $7.5 billion in GMAC, aiming to prop up the troubled lender and boost its ability to make loans to Chrysler dealers and customers.

(Invested??? That makes as much sense as I “invested” in a new Chrysler car.)

Let’s see if this works..

Why did the Senate include an amendment to block release of photos? What do they have to do with ti?!

Why did the Senate include an amendment to block release of photos? What do they have to do with ti?!
*********
I am sure that Reid got his marching orders from the White House…More CYA from Obama.

Three Wickets
I may need your help. I found these videos. The movie Moulin Rouge was filmed in 1952


that is music only


music and words

WOMEN WITH INTELLIGENCE AND EXPERIENCE,MEN WHO SUPPORT THEM AND COUNTRY BEFORE PARTY ALWAYS

PUMAS,BUBBAS,EQUALISTS AND THOSE PEOPLE RULE

Let’s see Helen. Youtube is sure getting finnicky..they want moneeeeey..

Three Wickets
If I download one of the toolbars they advertise will it work then?
I am always a little afraid to download tool bars as I am not sure what they will do to my computer.

WOMEN WITH INTELLIGENCE AND EXPERIENCE,MEN WHO SUPPORT THEM AND COUNTRY BEFORE PARTY ALWAYS

PUMAS,BUBBAS,EQUALISTS AND THOSE PEOPLE RULE

So who thinks that was Zsa Zsa singing in the clip above?

Helen, I don’t know. If it’s a youtube video, you just have to copy and paste the url address of the video. It usually works. If possible, the firefox browser is better than explorer.

If we are talking language no one since Shakespeare beats James Joyce:

An excerpt from Ulysses:

Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, maestro di colour che sanno. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it, it’s a gate, if not a door. Shut your eyes and see.
Stephen closed his eyes to hear his boots crush crackling wrack and shells. You are walking through it howsomever. I am, a stride at a time. A very short space of time through very short times of space. Five, six: the nacheinander. Exactly: and that is the ineluctable modality of the audible. Open your eyes. No. Jesus! If I fell over a cliff that beetles o’er his base, fell through the nebeneinander ineluctably. I am getting on nicely in the dark. My ash sword hangs at my side. Tap with it: they do. My two feet in his boots are at the end of his legs, nebeneinander. Sounds solid: made by the mallet of Los Demiurgos. Am I walking into eternity along Sandymount strand? Crush, crack, crick crick. Wild sea money. Dominic Deasy kens them ‘a.
Won’t you come to Sandymount,
Madeline the mare?
Rhythm begins, you see. I hear. A catalectic tetrameter of iambs march ing. No, agallop: deline the mare.
Open your eyes now. I will. One moment. Has all vanished since? If I open and am for ever in the black adiaphane. Basta! I will see if I can see.
See now. There all the time without you: and ever shall be, world without end.
They came down the steps from Leahey’s terrace prudently, Frauenzimmer: and down the shelving shore flabbily their splayed feet sinking in the silted sand. Like me, like Algy, coming down to our mighty mother. Number one swung lourdily her midwife’s bag, the others gamp poked in the beach. From liberties, out for the day. Mrs Florence MacCabe, relict of the late Patk MacCabe, deeply lamented, of Bride Street. One of her sisterhood lugged me squealing into life. Creation from nothing. What has she in the bag? A misbirth with a trailing navelcord, hushed in ruddy wool. The cords of all link back, strandentwining cable of all flesh. That is why mystic monks. Will you be as gods? Gaze into your omphalos. Hello. Kinch here. Put me on to Edenville. Aleph, alpha: nought, nought, one.
Spouse and helpmate of Adam Kadmon: Heva, naked Eve. She had no navel. Gaze. Belly without blemish, bulging big, a buckler of taut vellum, no, whiteheaped corn, orient and immortal, standing from everlasting to everlasting. Womb of sin.
Wombed in sin darkness I was too, made not begotten.

lets see if this works

This is probably my favorite short story, by Julio Cortazar,

The Continuity of Parks

HE HAD BEGUN TO READ THE NOVEL a few days before. He had put it aside because of some urgent business, opened it again on his way back to the estate by train; he allowed himself a slowly growing interest in the plot, in the drawing of characters. That afternoon, after writing a letter to his agent and discussing with the manager of his estate a matter of joint ownership, he returned to the book in the tranquility of his study which looked out upon the park with its oaks. Sprawled in his favorite armchair, with his back to the door, which would otherwise have bothered him as an irritating possibility for intrusions, he let his left hand caress once and again the green velvet upholstery and set to reading the final chapters. Without effort his memory retained the names and images of the protagonists; the illusion took hold of him almost at once. He tasted the almost perverse pleasure of disengaging himself line by line from all that surrounded him, and feeling at the same time that his head was relaxing comfortably against the green velvet of the armchair with its high back, that the cigarettes were still within reach of his hand, that beyond the great windows the afternoon air danced under the oak trees in the park. Word by word, immersed in the sordid dilemma of the hero and heroine, letting himself go toward where the images came together and took on color and movement, he was witness to the final encounter in the mountain cabin. The woman arrived first, apprehensive; now the lover came in, his face cut by the backlash of a branch. Admirably she stanched the blood with her kisses, but he rebuffed her caresses, he had not come to repeat the ceremonies of a secret passion, protected by a world of dry leaves and furtive paths through the forest. The dagger warmed itself against his chest, and underneath pounded liberty, ready to spring. A lustful, yearning dialogue raced down the pages like a rivulet of snakes, and one felt it had all been decided from eternity. Even those caresses which writhed about the lover’s body, as though wishing to keep him there, to dissuade him from it, sketched abominably the figure of that other body it was necessary to destroy. Nothing had been forgotten: alibis, unforeseen hazards, possible mistakes. From this hour on, each instant had its use minutely assigned. The cold-blooded, double re-examination of the details was barely interrupted for a hand to caress a cheek. It was beginning to get dark.

Without looking at each other now, rigidly fixed upon the task which awaited them, they separated at the cabin door. She was to follow the trail that led north. On the path leading in the opposite direction, he turned for a moment to watch her running with her hair let loose. He ran in turn, crouching among the trees and hedges until he could distinguish in the yellowish fog of dusk the avenue of trees leading up to the house. The dogs were not supposed to bark, and they did not bark. The estate manager would not be there at this hour, and he was not. He went up the three porch steps and entered. Through the blood galloping in his ears came the woman’s words: first a blue parlor, then a gallery, then a carpeted stairway. At the top, two doors. No one in the first bedroom, no one in the second. The door of the salon, and then the knife in his hand, the light from the great windows, the high back of an armchair covered in green velvet, the head of the man in the chair reading a novel.

off topic but. This will make you want to vomit:

http://tinyurl.com/pw8lx2

Three Wickets
thank you. This is the first time I ever tried to copy and paste an address.
I have been writing them down and typing them in .

WOMEN WITH INTELLIGENCE AND EXPERIENCE, MEN WHO SUPPORT THEM AND COUNTRY BEFORE PARTY ALWAYS

PUMAS,BUBBAS,EQUALISTS AND THOSE PEOPLE RULE

Little Isis
I don’t know another young lady that might like this song more than you.

http://www.last.fm/music/Nat+King+Cole/_/Nature+Boy

WOMEN WITH INTELLIGENCE AND EXPERIENCE, MEN WHO SUPPORT THEM AND COUNTRY BEFORE PARTY ALWAYS

PUMAS,BUBBA,EQUALISTS AND THOSE PEOPLE RULE

My favorite story within a story

Chapter 10
THE TALE OF THE UNEXTINGUISHED MOON

A tale told in the bothies . A tale of the long nights of winter– but one that was never told in the hearing of any priest.
Once upon a time the Moon fell into the earth .This was after the mountains had been created, and the seas,and the straths, and the forests, but there were no men or women. This the folk on the bothies said , was how men and women had come into the world.
It was the Bog King who caused it. When the straths were made, many wee glens were made with them, and the water from the mountain burns got trapped in some of these glens and became stagnant,and the earth there became soft and the two blended together water and earth , and so the bogs were made,and the black Bog King sat at the bottom under the reeds and the mud and the sticky green slime, and ruled it all ,and the bogs became full of ghoulies and bogles and dead things and horrors that crept in the night . The all walking creatures learned to fear the bogs, because whenever a fawn or a boar , a badger or a cuddie, or even the harmless little hedgehog entered them in dark moonless nights, the bogles would rise up wailing out of their holes and the wisp lights wuold flicker , and the slimy hands of of all the dead horrors beneath the mud would grasp at the poor creatures legs, and pull it screaming piteously down into the terrible death that waited grinning in the Bog Kings court.
Now the sun was distant and wouldn’t stir himself for the sake of the animal-kind , but when the moon heard of all the evil that was going on in bogland whenever her back was turned, she decided to go down herself and see what could be done. So she covered her shining body with a dark cloak, and pulled a hood over her gleaming hair, and entered the bogland, stepping easily from tussock to tussock by the light of her white feet; and whenever the ghoulies and bogles came wailing and gnashing at her, or the horrors and the dead things rose and scrabbled at her with their cold fingers, she threw back her hood and the light of her beautiful face flooded the whole country side, and the dead things fled shrieking away.

( Mungo crossing the burn, feet scuffling the wet stones, fingers scrabbbling for a hold among the tufts and the waterpurple, running, walking, running again with the gait of a hunted man)

But it was a huge bog,and the squelching mud seemed to stretch away for ever and ever, and at length the Moon began to weary of picking her way across it. So she sat down to rest on the trink of an old tree that was lying half submerged in the ooze. She sat back thankfully and rested her feet on one branch and laid her head on another . Then the tree began to move! Aaah
but it wasnt a tree at all ! No, it was the Bog King himself lying basking there like a hippopotamus in the slime , and the two branches were his arms . He grabbed her feet in one hand and threw the other round her neck and struggle though she might the Moon couldn’t get free. Then the Bog King drew her down, down into the clart, down under the peat and under the very roots of the reeds; down into his own dark kingdom, and a black bubble or two burst on the surface , and the Moon was gone.

I need hardly tell you how great was the rejoicing among the bogles when they realised that their hated enemy was gone, and that every night would now be a black night with only the faintest starfire from heaven to watch their evil doings. They jumped and skirled and screeched with joy. They made the very branches of the forest dirl and ding with their clamour.
They grew bolder in their forays from the bog; they crept by night over the moorland tearing and butchering any living creature they met; and the owls and the eagles and the ravens perched higher and higher on the branches for safety; and the squirrels and the badgers burrowed deeper, and the deer and the boars, the otters and the beavers, even the smallest beasties, the very beetles glow-worms and spiders retreated further and further yet from the marches of the bogland,and darkness and death were on the face of the world.
Then Goban the creator stamped his hoof, and the trees, the real tress of Scotland began to talk and move. In the wind their leaves whistled to eah other; in the still their bodies creaked and graoned tree language. Where is the Moon? they asked. The swiveled their heads, turning from side to side. Where is she? The sent out their leaves in the days the world would later know as autumn, Find her! they said to the leaves, and the leaves went fluttering and whistling across the straths. The birds took to the air, the burrowers took to the earth, and the fish plummeted the lochbeds; they all sought her. But the Moon was nowhere to be found.

(And Mungo , clambering the learigs entering the forest as the fist bird awakens,sense rather than sees the disturbed hunters in the bracken that rustles an scrapes noisily under the hem of his cassock, Mungo desperate with mission )

Beside the bog grew a small hawthorn tree. She was so close to the bog and so small that the bogland folk had forgotten all about her. Well, the hawthorn held her wheesht until all the other trees had had their say .Then she piped up . “Ahem folks, I think that maybe I just might ken where our Moon is” though she had to repeat her self several times before they all heard her. Where ?? said the rowan Where? said the birch, Where? said the yew and the pine, the fir and the alder. Where? rumbled the old oak, last of all. And so hawthorn told them how she had seen the Bog King pull the moon down below the surface. When they heard this, the trees marched in a great mass– yes the entire forest moved–down the mountain slopes and along the straths until they had surrounded the bog on all sides. Then they sank their roots down under the reeds and into the slime and mud until they found the hall of the Bog King, and began knocking on his roof. Ar first it was a gentle tap,and then louder, then louder still, until it sounded as though thunder had sunk under the earth in pursuit of the vanished Moon, so loud did that hammer sound.
And that is exactly what the Bog King thought it was.
“Who’s that banging on my roof he called and the pine answered “ME, GUITHAIS, with the thunder in my roots wanting out Moon” “Away to hell,” said the Bog King, and laughed.
“Who’s that thumping in my loft, he shouted next, and the Alder replied , Me, FEARN , with the thunder in my roots wanting our Moon” “Ach away and boil your heid”, grumbled the Bog King.
“Who’s that skirling down my lun ?” he growled a while later , and the oak said ME, DARACH, with the thunder in my roots wanting our Moon ”
And then the Bog King fearing that the roof and walls were going to fall in about his lugs, broke the twining chains that held the Moon, and the trees saw the strange beautiful face of their lost Moon rising up through the foul waters of the bog, and a moment later she was shining down on them again from heaven, and all the bogles and ghoulies and dead things fled shrieking away . But from that day to this the Moons face is pitted with dark shadows whenever she remembers her stay in the Bog Kings hall.

( Mumgo, resting against a trunk, raises his face as the cock crows and thinks of Mairi sleeping. And asks himself, “is there any sin I would no committ to save her life?” And there is none . And he smiles knowing it.)

Now the Moon had twin bairns by the Bog King , and the laddie’s name was Nechtan, and the lassies name was Mongfinn, and they were bonny to look on, but as they were made in part of the cold black mud of the bog,they could not fly up to heaven with their mother . So they stayed right here on middle earth, in this world of ours, and whiles they would look up to heaven to see their mothers shining face, and whiles they would look down below into their fathers darkness; and they were the first humans, because they were tall and and slender and supple as young trees, but their roots were not anchored so deep in their earth ,nor were their heads held so high to heaven; and they had legs like the deer, and eyes like the hawk, and a throat like the song birds, and and appetite like the wolf,and pride like the the eagle,and cunning like the fox.
That was how man and woman first came into the world, they said in the evening in the peat firelight.

Well grass grows and water flows, folk lust, and one day Mongfinn was heavy with her brother’s child. A boy it was; but looking at the wee squalling thing with the pride and joy that all parents have felt since,
Mongfinn and Nechtan had a sort of premonition that things were not as they should be. And as there was this shadow lying over them which they couldn’t understand or explain in any way , that is what they called the bairn . Shadow, because he had come between them like a shadow in the night.

( and Mungo smells the morning in the forest , the sweet summer morning and finds himself among the blue and yellow flowers that are slowly opening to the first sun, and AH! he sighs suddenly, cheerfully breathing the morning and his fears take bat wings and fly off with the vanishing night)

The mountains were still moving in those days, the thunder giants still rolled boulders for sport, and cast great slabs of warm rock at each other across yawning ravines. One bright forenoon when the rainbow was standing high among the clouds and the water was dripping from the heather flowers,a hundred and more young firs fell to their knees and bowed themselves like young novices,and when the earth closed again it closed around their topmost branches and all below was gone back into the earth once more, tree and leaf, squirrel and nest, and Mongfinn and her Nechtan, who walked no more in the light of the world.
What became of the son? Human, he had the appetite of a wolf, and the wolf folk found him hunting. Strangely enough they didnt kill him, because they thought he was a wolf, so they raised him as one of their own, a young wolf cub.
Shadow grew strong and forest wise and stealthy. He killed for food,and he killed for pleasure too; but then sometimes a feyness would come on him, and he would take a scunner to himself and his bloody hands and his dripping jaws and then he would wander away into the solitude, away from the blood and the stink of blood, and talk gently to the trees and beasts,and while he would press his face into the soft moss round the tree roots and weep. Then the forest folk looked at him and wondered.
All except the corbie. The corbie is a wise bird, and understood things better left unspoken. One day, as Shadow walked disconsolately beneath the branches, the black corbie perched above his head and spoke to him. “Shadow , Shadow, what makes you so sad?” And Shadow answered her ” O, It’s all alone I am sister, and no one to share the burden of life with me ”
So the corbie spoke to him again and told him to go to a certain birch tree,and to take the tree and to make from it a woman of white wood, and Shadow did so; and because her body was white as the heartwood of the tree, and because her hair was fair as the shoots of it, he called her Bas Barra Geal , which is Princess Bright Palm; and from their loving line the folk of he Scotland and of all the world are descended.

(And the warm sun glowed in the green over head,and down into every glade and clearing it spilled the cascade of its golden apples. on Such a day thought Mungo I ken that life is immortal. And reassured by the miracle with which he was surrounded, the old man pushed on, to work his own bit miracle for the folk , there in the forest’s depth)

from SONG OF THE FOREST by COLIN MACKAY

Stunning photo, madamab. Missed this thread last night as I was avidly watching “So You Think You Can Dance.” Don’t know if you were able to catch it, but the last two dancers to audition were simply beautiful to watch.

3W: I enjoyed the clip. I hadn’t heard of that movie before.

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