The Widdershins

Lazy Sunday: We Love Them, Yeah, Yeah, Yeah

Posted by: chatblu on: October 10, 2010

I am skipping out of the request rotation today – I promise to continue with my list next Sunday.  After writing the post about John Lennon for Saturday, it occurred to me that today is 10/10/10.  Not only  does this sort of thing occur once ever hundred years or so, but also that a “perfect ten” is ever so scarce.  What group is a more perfect representative of 20th century American music than the lads from Liverpool? I know that we have discussed the Beatles before, but somehow nothing else felt right today. 

 I’m listing my fav five Beatles songs.  Please share yours, either from the Beatles as a group, or the musicians singly or with other bands.

This is an open thread.

(1) In My Life (Rubber Soul, 1965):  Written by John Lennon and Paul McCartney, this song begins the transition from early Beatles to the later ballads.

(2) It Don’t Come Easy (It Don’t Come Easy, 1971):  Ringo will always be much better known for his persistent percussion styles, but I dearly love this song.

(3) Maybe I’m Amazed (McCartney, 1970):  Recorded after the band’s break-up, this song gave us hope that the music would not die.

(4) With A Little Help From My Friends (Sgt. Pepper, 1967):  One of my personal favorite college drinking songs.  This one features George Harrison.

(5) Woman (Double Fantasy, 1980):  This is John’s tribute to Yoko.

And, because this is a wonderful take on a non-Beatles song, I offer Stand By Me as a bonus pick.

Let’s hear it, Widdershins.  This is an open thread.

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39 Responses to "Lazy Sunday: We Love Them, Yeah, Yeah, Yeah"

“In My Life”, Chat’s #1 song is my all-time favorite Beatles song but, oh, there are so many others I love. How to choose?

Even at the age of 7, I remember being struck by the incredible poignancy of “She’s Leaving Home” (1967) :

“Golden Slumbers / Carry That Weight / The End” (1969)” :

According to Wiki:

“Golden Slumbers” is based on the poem “Cradle Song”, a lullaby by the dramatist Thomas Dekker. The poem appears in Dekker’s 1603 comedy “Patient Grissel”. McCartney saw sheet music for Dekker’s lullaby at his father’s home in Liverpool, left on a piano by his stepsister Ruth McCartney. Unable to read music, he created his own melody and arrangement. McCartney uses only the first four lines of the original poem, with minor word changes.

Wonderful choices, Beata.

Lest we forget today is October 10th and it is National Comming out day…

Thanks, Fuzzy. I didn’t know that.

Excellent choice.

Don’t know why, but Eleanor Rigby always affected me – maybe cause I was a loner. It was included in my English class in college in the poetry segment – very poignant.
I also liked Here comes the Sun, and When I’m 64.

And then fast-forward!

“Eleanor Rigby” (1966) :

All superb choices.

I was just listening to “Abbey Road” this morning to honor John Lennon’s birthdaym

The Beatles really are the Alpha and Omega of rock. I love all their songs, even the silly ones like “Octopus’ Garden.”

BTW, today is Giuseppe Verdi’s 197th birthday.

Hats and horns all around!

Oh, DYB. You broke out Leontyne! No one can sing Aida like Madame Price!

Happy Birthday, Joe Green!

My beloved Mirella Freni! (Who used to share a wet nurse with Pavarotti. She once quipped: “Guess who got all the milk.”)

Big birthday weekend. Lots of famous libras.

Chat> I didn’t mean that it’s Freni’s birthday! She’s singing Verdi there.

And here’s Pav singing the Ingemisco from Verdi’s “Requiem.” (The other soloists in that performance were Leontyne Price, Fiorenza Cossotto, and Nicolai Ghiaurov (who would one day become Mirella Freni’s husband.)) Herbert von Karajan conducting the forces of La Scala, Milan.

Okay, one more excerpt from the “Requiem.” Leontyne Price and Fiorenza Cossotto in the Recordare.

Okay, I lied, one more: the Lacrymosa with the full quartet: Price, Pavarotti, Cossotto and Ghiaurov.

Feel free, D. They’re all just lovely.

Renee Fleming as Desdemona in “Otello” from the Metropolitan.

That’s a lovely version.

I always liked this one:

That’s one of the best.

Okay, here’s my contribution for the classical-music-crowd and the vocal admirers.

Well, that one went over with a definite thud!

Fredster> It’s not just any old classical crowd – it’s Verdi!

A little more Verdi: duet from “Otello” with Teresa Zylis-Gara and Franco Corelli. (Dorothy Kirsten in the brief intro.)

Fredster – I love PDQ Bach! My former voice teacher played “Donna Donna” in the video of “The Abduction of Figaro.”

DYB, I am swooning! I chose a Verdi piece for tomorrow’s post. :-D

MB: It gets so lonely when no one knows about PDQ Bach. :-(

http://en.wikipedia.org/wiki/P._D._Q._Bach

I think his greatest invention was the tromboon (see article above).

Here’s that great PDQ Bach operatic piece, The Stoned Guest.

I love the satirists. From P.D.Q. Bach to Anna “Bel Canto? Can Belto!” Russell to La Gran Scena.

Okay, here’s Madame Vera Galupe Borszkh singing the final act of Verdi’s “La Traviata.”

DYB@37: that was hysterical!

I love “La Gran Scena!” Those men are incredibly talented.

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